With nearly a decade of professional audio experience, I got my start in TV and film in Hollywood “cutting my teeth,” so to speak, editing and designing for animated shows like BoJack Horseman, Big Mouth, and Rick & Morty, as well independent projects for my own clients.

The pandemic brought more changes as I transitioned into podcasts, being hired on as a contract sound editor for the podcast network Audiochuck — where I’ve been the last 5 years — eventually becoming a full-time editor, then Supervising Sound Editor, and now currently the Director of Audio.

From shaping the sound of top-charting shows like Crime Junkie and The Deck; to creating new standards in audio-quality across the industry; to building out my very own award-winning team of editors and engineers — I’ve been fortunate enough to be trusted with some of podcasting’s most cherished and engaging content in all aspects of recording, editing, and final broadcast.